ICONS Choreographic Institute at ATLAS

TO APPLY FOR THE INSTITUTE:

1. Please review the INFO PACK for details about the schedule, tuition, and program curriculum

2. Please fill out the interest form below, including as many details as possible.

3. We will contact you back soon to answer any questions

4. Application deadline July 31.

INTEREST FORM

INFO PACK

FACULTY AND LECTURERS

PARTNERSHIP ORGANIZATIONS

PAST COHORT

REQUIREMENTS

• Age 21 and up by September 2023

• Formal dance training in school/college and performance experience in any dance style or genre

• Artistic drive and passion to choreograph!

TOTAL TUITION FOR NINE MONTHS: $4,500
Includes all lectures, training sessions, workshops, rehearsal space rental, and fully producing new work for the Thesis Concert

An initial deposit of $650 will reserve your place in the program. An additional $650 will be due by the start of classes on September 7, 2022, and the remaining payments will be due in 8 monthly installments of $400.

OR
9 monthly installment payments of $500

To express interest and get more information, please complete the Inquiry Form.

WE WOULD LIKE TO HEAR FROM YOU AND LEARN ABOUT YOU!

INTEREST FORM

ICONS Choreographic Institute at the ATLAS

invites you to

DANCERS AUDITION

Sunday, February 4, 2024
Registration/Warm-up: 10:00 AM – 10:30 AM
Audition: 10:30 AM – 12:00 PM

Atlas Performing Arts Center
1333 H Street NE, Washington, DC 20002

PRE-REGISTER ONLINE BELOW, OR ARRIVE EARLY TO FILL OUT THE REGISTRATION FORM:

REGISTER

Dancers need to have fundamental dance techniques and the ability to work and explore different movement ideas. A few movement phrases will be taught to examine the ability of the dancers. Dancers who are collaborators and improvisers are welcome! Following the audition, there will be a conversation about the schedules and availability of the dancers and choreographers.

Rehearsals will be held flexibly on different days and locations as per each project’s demands.

The Perfect Doll

Choreographer: Noa Kamiya

Dancers:
Amelia Otte, Charlotte Brown, Ellie Bottio, Jaina Simon, Leah Bulson, Raquel Daley, and Rona Shacham

The Perfect Doll is a response to the common Japanese saying: “The nail that sticks out gets hammered down”. This piece of choreography is a critique of conformity and the struggle to fit into cultural norms, specifically through the lens of the choreographer’s own background — but can be applied to any society. 

Ever since moving to the US from Japan at age ten, I`ve always found the contrast between Japanese culture of conformity and America`s individualistic culture to be fascinating. I wanted to present a piece that introduced those two conflicting ideas on the same stage, by showing how one can find their authentic self in a society where doing so was often frowned upon.

Quotation of dance manifesto:

Dance is a way for me to express how I see the world. It allows me to uncover deep emotions that I would otherwise not be able to recognize and bring up to the surface to share with others.

After moving to the U.S. at age 10, Noa continued her passion for dance through rigorous training and performance program at CityDance Conservatory, studying across multiple genres with merit scholarship. Noa participated in CityDance summer intensive programs including Koresh Dance Company, Philadanco, Gallim, DTH, NDT, as well as dancing in specialized CityDance ignite artist projects with Sarah J. Ewing and Dancers. She is attending NYU Tisch school of the Arts next year to deepen her dance studies at the university level. Noa’s goals include dancing professionally and linking her psychology interests to her dance trajectory. 

Tr(us)t

Choreographer: Millicent Parker

Dancers: Angel Ramirez, Rachel Lawal, Naomi Turner, Chynna Golding, Gaby Milazzo, Alexandra McGriff, Lydia Hill, Victoria Davis, Nilton Rodney

Tr(us)t is a piece which explores trust. From finding trust within yourself, to creating trust within family, friendships, and relationships in general. The closest people you have in your life are the people you trust the most. Building a stable connection with others builds a secure relationship between one another. Once trust is broken it is difficult to rekindle that relationship. Building relationships can be beautiful and ugly. I will show trust vs mistrust in relationships.

Renacimiento

Choreographer: Angel V Ramirez

Dancers:
Victoria Davis, Noa Kamiya, Skye Sibirian, Gaby Milazzo, Alexandra Mcgriff, Rachel Lawal, Sarah Moore, Jullie Yelle, Meghan Letizia, Chyna Golding, and Sarah Coady

Renacimiento (Rebirth), choreographed by Angel Ramirez, is a dance about leaving a home country and entering a new country in search of a better life.

Mr. Ramirez shares: “This dance piece explores the concept of changing and fitting in. Based on personal experience, I’m interested in creatively exploring how an individual is affected and shaped by the pressure to adapt to a new environment. This dance also engages with the feeling of loneliness during a long journey, and reveals the anxiety caused by unfamiliar circumstances. Besides natural birth, at a certain point in life, a person may also experience a major revelation leading to the new emergence of the self – a rebirth.”

Quotation of intent:

Leaving my home country and trying to fit into a new country was one of the hardest things I’ve had to do in my life so far. I’ve had to face many challenges to become the person I am today This drastic change of setting changed me in many different ways that have forced me to learn new perspectives on life. There is a huge culture shock that has to be faced when going from a small country in Central America to the USA.

Quotation of dance manifesto:

Dance to me is a hidden language that allows me to artistically communicate without speaking. It allows me to showcase different feelings through abstract movement and it allows me to freely move with many different intentions. Its diverse aspect also allows me to work with many different genres of dance.

Biography:

Angel Ramirez is a dancer/choreographer based in the D(M)V. Angel was born in El Salvador, Central America and fluently speaks Spanish and English. Angel began his formal training in early 2017 at CityDance conservatory in North Bethesda MD. He will earn his degree in choreography in May of 2023 from the ICONS Choreographic Dance institute at ATLAS in Washington DC.

they had light inside

Choreographer: Faith Rokowski

Dancers:
Meghan Letizia, Rebecca Scruggs, Jack Klika, Kaya Mueller, Sarah Coady, Rachel Timmerman, Julia Conte, Sarah Moore, Harriet Gordon, Lydia Hill, Chynna Golding, and Emily Gardner

they had light inside is a piece about the end of the world. It considers the dueling human experiences when faced with an immovable circumstance through movement, dance theater, and sound.

Quotation of intent: The world has changed irrevocably in the last 3 years – and art and fiction exist to reflect those anxieties. What I feel that dystopian media is missing in its depiction of apocalypse, is the inherent humanity that doesn’t just die out. This piece came from answering the question posed by author Emily St. John Mandel, “If hell is other people, what is a world with almost no people in it?”

Quotation of dance manifesto: Dance is the manipulation of energy. The growth towards recession from a moment of resistance in a movement, a phrase, and an entire piece. The manipulation of energy within the body, in the space, and between performers.

Short biographical information: Faith began taking recreational dance classes at her home studio in South Hadley, MA until she graduated high school – and then quit dance for the majority of college. While a senior at American University, she danced with AU In Motion for one year, then left dance again for three more years. Most recently she has danced recreationally with companies around the DMV area, and teaches children at Bethesda Dance Center.

Please visit www.danceicons.org.