Sex Monster is a cabaret that distills the history of monsters through a contemporary (and sexy) female lens.
Sowt al Ard blends opera, Arabic instrumentation, Levantine dabke, projections, and sensory immersion into a ritual of remembrance, asking what stories the earth holds.
One man. One name. Too many assumptions. A sharply funny solo show about identity, discomfort, and surviving post-9/11 America — with jokes.
An interactive music/theater performance sharing transgender singer Ari’s voice transformation with testosterone. Join us to hear yourself anew and be part of the choir!
"Sheldon Feldman Sings the Songs They Told Me Not to Sing” is an interactive musical theater cabaret from a tone-deaf septuagenarian urging audiences to take center stage in their lives, and never look back.
Recess follows 5 elementary school students throughout the school year as they dip their toes into life's big questions, navigating family, friends, and politics.
A cabaret of story and song (at about an hour long) about one person's journey into the second act within a newly discovered queer body.
In a toxic city where birth is banned, a nonbinary doctor fights for life. A dystopian drama of slime, protest, and impossible choices.
A bathroom. A bassline. A beast. Frida’s secret shame festers behind closed doors until Joanie, their inner drag-monster, screams for attention.
Clocked in is a stylized comedy show with live music that offers a hilarious and quirky satire of office and work culture in modern America.
In this comedy-drama, Danny, 26, American, and his Tel Aviv neighbor, Maya, 52, start an affair during the Gulf War. How serious can it get?
The Church Bizness Meeting is a hilarious gospel comedy about a community church facing closure due to ineffective leadership and a rapidly changing Washington, DC.